Fully subjective of course, but most of us (loosely the Baby-Boomer Generation) have grown up listening to the best music this culture has been able to offer -- namely from the 50s-late 80s. We more than other generation were able to fully gauge, critique and appreciate each era and genre fully with a discriminating ear.
For the sake of this exercise of opinion, the premise and challenge is, "BEST 3 DEBUT ALBUMS".
The stiffest competition would actually be between the 70s and 80s.
Rock Music (as a viable "Pop Music" genre died in the 20th Century. ergo, RIP, 1955-1999
Other categories worthy of discussion might be:
"Best Overall Album"
"Best Back-to-Back Albums"
"Best Compilation"
"Best Singles-Machine"
Poster Comment:
Given the 1950s were mostly a decade of singles as were much of the 60s, they are numerically at a disadvantage.
I would give the nod to the 1970s as by far the best decade for album themed music. It combined the best of production value, technology resources, and conscious decision by record companies to produce "theme" albums. Often artists and groups would be embarrassed to include "filler".
I'm going to cheat and submit 5 Top Debut Albums (in chronological order):
1) Chicago (Transit Authority, 1970)
2) Derek and the Dominoes (Layla, 1972)
3) Bad Company (Bad Company, 1974)
4) Boston (1976)
5) Foreigner (1977)
Sure there were others, BUT...
#3: Liberator To: All (#0)
Often I have stated as my subjective opinion that ubiquitous, widely listenable Rock Music died in by the late 80s. 1987 to be exact. The reasons for this are many. SOME say it died with the advent of Disco (c. 1974-1975).
While this claim might be considered true to a degree, what Disco *did* do is prove to the corporate Music Industry and Record Producers that the quality musicianship and what makes "good music" was far less important than the packaging, marketing, perception. And the notion and longer-range plan by liberals-Leftists that politics flows downstream from culture...
WHICH leads us to ask the hows and whys:
HOW in the world did vulgar Ghetto Rap and female yodeling of "empowerment" whinefest anthems ever wind up the default "music" of pop culture for the last 25 years?
HOW did Rap, wimpy male emo whining, and female yodeling and yapping EVER wind up displacing varied genres of pleasing music compositions, inspirational lyrics, swaying rhythms and sweet vocal and instrumental chords of the 50s-80s -- as well as its soulful, sunny harmonies?
Q: Just how did an earful of garbage become "gourmet" music?
A: The same way a crucifix in a jar of urine became "museum art"; The same way Barry 0bama became President. VULGAR has replaced REFINEMENT; UGLY has replaced BEAUTY; LIES have replaced TRUTH.
In other words, like almost all of music -- including contemporary arts, foods, science, history, and language -- quality has become relative, and graded on a curve.
"Pop Music" has been a akin to a Third World rotting corpse, the King with no clothes", a corporate polished turd that lies. 21st century "music" STINKS. Purposely. Just like movies. Just like "education". Just like anything the Left and its cousins, Globalists touches. Pop Culture promotes Anarchy, From the Sciences to History to Morality to Politics to Religion.
If you accept this premise, then the question would be, "BUT WHY?"
I may be straying here beyond the original tangent, but it needs to be said -- the consensus-makers have recognized the political power and influence of "Pop Music" (as well as Spectator Sports like the NFL and Movies) as driving forces of young opinion, "Religions" of sorts. Not news, but simply put, the purveyors/Powers That Be of Pop Culture are social engineers and anarchists in rebellion.
Liberator posted on 2018-06-25 18:06:11 Reply Private Reply
#4: Liberator To: Hank Rearden (#2)
But over all, pretty still fresh to me.
We're all bound to have a diverging opinion, but to me Boston's debut album was 20 years a head of its time. There's still nothing that sounds like it.
D&D...Timeless album. To bad they couldn't follow it up. Clapton was a amzing artist.
Drummer Jim Gordon -- ever hear *his* story? GREAT drummer. Too bad he was psychopath.
Liberator posted on 2018-06-25 18:09:43 Reply Private Reply
#5: no gnu taxes To: Liberator (#0)
Get the Knack
Can't say it's one of my favorites, but it's hard to deny its success.
The band quickly faded into oblivion shortly after, though.
no gnu taxes posted on 2018-06-25 18:09:57 Reply Private Reply
#6: Hank Rearden To: Liberator (#3)
Here you go, explains it all: The TRUTH Why Modern Music Is Awful
Hank Rearden posted on 2018-06-25 18:10:26 Reply Private Reply
#7: Hank Rearden To: Liberator (#4)
I'll see you, and raise you "Beware of Mr. Baker" on Netflix or wherever.
I love listening to Clapton in any of his incarnations, with any other group of musicians. Has anybody else ever been a founding member of so many supergroups? It's too bad he's in decline finally but man, what a legacy.
Ever catch any of the Crossroads Blu-rays or CDs? I bow my head just thinking about them.
Hank Rearden posted on 2018-06-25 18:12:55 Reply Private Reply
#8: no gnu taxes To: Hank Rearden (#2)
Then they took 8 years to release a 3rd album because of internal struggles. I don't think they have been heard from since.
no gnu taxes posted on 2018-06-25 18:13:43 Reply Private Reply
#9: Liberator To: no gnu taxes (#5)
I never did hear any other tune on the album. Pretty good?
Right -- The Knack was projected to be an up and comer but that was its apex of commercial success. They never did make it.
Liberator posted on 2018-06-25 18:21:49 Reply Private Reply
#10: Liberator To: Hank Rearden, Deckard (#6)
I will check it out and listen to another theory as to why pop music has devolved into the abyss.
Liberator posted on 2018-06-25 18:23:27 Reply Private Reply
#11: Liberator To: Hank Rearden (#7)
Gordon murdered his own mother. (Dunno if Mr. Baker beats that. Don't get Netflix.)
I love listening to Clapton in any of his incarnations, with any other group of musicians. Has anybody else ever been a founding member of so many supergroups?
Good question. I'd have to think it over....
Clapton was creative for a good 20 years.
Ever catch any of the Crossroads Blu-rays or CDs? I bow my head just thinking about them.
Nope. Maybe it can be found on YouTube?
Liberator posted on 2018-06-25 18:27:26 Reply Private Reply
#12: Liberator To: Hank Rearden (#6)
Ughhh. "The Millennial Root" (Wah-oh. Wah-Oh.) THAt'S the Disease and what the female "yodel" is called? They also use it with auto-tune. A chronic horror.
Thus far an excellent vid and explanation on youtube...The same TWO guys compose 90% of the vast drivel played on the radio. Which why the non-Rap Crap ALL sounds the same.
Liberator posted on 2018-06-25 18:31:24 Reply Private Reply
#13: no gnu taxes To: Liberator (#9)
That kind of reminds me of Meatloaf's "Two out of three ain't bad" in 1978. It was played 3 times an hour on any radio station you tuned in to. I liked it at first but grew sick of it by the end of the summer. I sort of like it again now, mostly because I don't have to listen to it every 30 minutes.
no gnu taxes posted on 2018-06-25 18:34:34 Reply Private Reply
#14: Pinguinite To: Liberator (#0)
I understand Tom Scholz was an engineer at MIT and personally developed some of the electronics used for his guitar. Regardless of how it was done, the clean sounding electric guitar sound on their album was certainly was a new thing in the industry.
Pinguinite posted on 2018-06-25 18:40:06 Reply Private Reply
#15: Jameson To: Liberator (#0)
Might I suggest 5 Favorite debut Rock Albums - there is no way to quantify best...in no particular order:
5. Ramones - Ramones - Kicked the door down for a generation of punk rockers
4. Queen - Queen - Lyrics, melodies and Brian May
3. AC/DC High Voltage - Speaks for itself
2. Rush Rush - You cannot get better quality rock from 3 musicians
1. Bruce Springsteen - Greetings From Asbury Park - The Boss put the Jersey Shore sound on the table - still rocking 40 yearson....
Jameson posted on 2018-06-25 18:48:31 Reply Private Reply
#16: tpaine To: Liberator (#0)
Rock and Rollin' with Fats Domino (1955, Imperial)
Here are the next few he made..
Fats Domino Rock and Rollin' (1956, Imperial)
This Is Fats Domino! (1956, Imperial)
This Is Fats (1957, Imperial)
Here Stands Fats Domino
tpaine posted on 2018-06-25 18:53:42 Reply Private Reply
#17: Pinguinite To: no gnu taxes (#8)
The official band has, in fact, released new albums over the years but they've gone no where. It seems Scholz, for all his engineering genius, was a nitpicking perfectionist to the point of being a PITA, which was, perhaps, to the credit of their early albums but also possibly at least one of the anchors that kept the band from flourishing.
Pinguinite posted on 2018-06-25 19:02:27 Reply Private Reply
#18: GrandIsland To: tpaine (#16)
GrandIsland posted on 2018-06-25 19:28:39 Reply Private Reply
#19: GrandIsland To: A K A Stone (#1)
Id put that in the top 10
Back in Black (even tho I liked Bonn Scott better than Brian Johnson) also must be included in top 5
GrandIsland posted on 2018-06-25 19:30:32 Reply Private Reply
#20: GrandIsland To: A K A Stone (#1)
GrandIsland posted on 2018-06-25 19:33:15 Reply Private Reply
#21: sneakypete To: Liberator (#4)
I agree. It came out of nowhere,and flat took over.
And "Is dated now" doesn't mean squat. We are talking about DEBUT albums,and the impact that they had.
I can't remember which one it was off the top of my head at the moment,but whichever one was the first Allman Brother Band Album has to be right up there,too.
sneakypete posted on 2018-06-25 20:01:41 Reply Private Reply
#22: sneakypete To: Liberator (#11)
I would be shocked if there is ever a period of time in all of eternity that you couldn't just buy them on-line anytime you want. They,like most of Pink Floyd's releases,will never go out of print.
It's da blues,man.
sneakypete posted on 2018-06-25 20:05:00 Reply Private Reply
#23: sneakypete To: Jameson (#15)
Which pretty much describes why none of their crap is even semi-good.
sneakypete posted on 2018-06-25 20:06:55 Reply Private Reply
#24: sneakypete To: GrandIsland (#20)
Yeah,I can see that one making the list. Do you know ANYBODY that didn't buy it?
sneakypete posted on 2018-06-25 20:08:33 Reply Private Reply
#25: GrandIsland To: sneakypete (#22)
The Wall... maybe another top 10
GrandIsland posted on 2018-06-25 20:11:54 Reply Private Reply
#26: Jameson To: sneakypete (#23)
Enjoy the music you like, I couldn't care less about your opinion if all you can manage is "none of their crap is even semi-good"
Jameson posted on 2018-06-25 20:16:29 Reply Private Reply
#27: no gnu taxes To: Liberator (#0)
no gnu taxes posted on 2018-06-25 20:17:05 Reply Private Reply
#28: no gnu taxes To: sneakypete (#24)
LOL
I remember he did a concert at my college in the early 80s. By that time, he was obviously balding and had trimmed his hair short. There were literally girls crying asking "what happened to his hair?"
no gnu taxes posted on 2018-06-25 20:26:42 Reply Private Reply
#29: no gnu taxes To: GrandIsland (#25)
I think "Dark Side of the Moon" was a much bigger hit album than The Wall.
no gnu taxes posted on 2018-06-25 20:29:22 Reply Private Reply
#30: GrandIsland To: no gnu taxes (#29)
GrandIsland posted on 2018-06-25 20:41:15 Reply Private Reply
#31: buckeroo To: GrandIsland, no gnu taxes (#30)
Rare that I agree with GI; "The Wall" was much more. Try a video link authored by Roger Walters. Turn up the volume of your surround speaker system. You won't regret it.
buckeroo posted on 2018-06-25 22:11:57 Reply Private Reply
#32: no gnu taxes To: buckeroo (#31)
I'm not saying The Wall wasn't a good album.
no gnu taxes posted on 2018-06-25 22:26:43 Reply Private Reply
#33: GrandIsland To: buckeroo (#31)
Please dont ever repeat that ever again. Now wash your filthy maw out with a Tide Pod.
(Ill try the link tomorrow morning over java).
GrandIsland posted on 2018-06-25 22:27:12 Reply Private Reply
#34: A K A Stone To: Jameson (#15)
A K A Stone posted on 2018-06-25 23:54:43 Reply Private Reply
#35: Hank Rearden To: Liberator (#11)
Well, I don't think Ginger killed Mom, but you can decide for yourself here:
https://youtu.be/d7h8CqYXEx0
Hank Rearden posted on 2018-06-25 23:58:44 Reply Private Reply
#36: Hank Rearden To: Liberator (#12)
I understand the principle behind their theory, but I don't know what 99% of the referenced songs sound like because I don't listen to shit.
See how pervasive the rot is? I never listen to the shit and yet ...... I know it's shit.
Hank Rearden posted on 2018-06-26 00:03:40 Reply Private Reply
#37: buckeroo To: GrandIsland (#33)
You should call into the captain ... that you are munching on piles of jelly-filled doughnuts along with your kup(s) o' koffee so as to avoid personal reliability reports against your personal performance.
Tell the boss, "you deserve it."
buckeroo posted on 2018-06-26 00:04:11 Reply Private Reply
#38: sneakypete To: buckeroo (#31)
Blues from the 25th Century.
sneakypete posted on 2018-06-26 00:44:24 Reply Private Reply
#39: sneakypete To: Jameson (#26)
Punk rock is for posers that can't play actual music.
"If you can't play good,play fast and loud".
sneakypete posted on 2018-06-26 00:46:13 Reply Private Reply
#40: Deckard To: Liberator (#0)
1950's
Elvis Presley - Elvis Presley 1956
Chuck Berry - After School Session 1956
The Crickets (Buddy Holly) - The "Chirping" Crickets 1957
1960's
The Beatles - Please Please Me 1963
Are You Experienced - The Jimi Hendrix Experience 1967
Truth - Jeff Beck 1968
1970's
Can't Buy A Thrill - Steely Dan 1972
The Clash - The Clash 1977
Elvis Costello - My Aim Is True 1977
1980's
U2 - Boy 1980
Stevie Ray Vaughan - Texas Flood 1982
R.E.M. - Murmur 1983
The Smithereens - Especially for You 1986
Tommy Keene - Songs From The Film - 1986
1990's
Copper Blue - Sugar 1992
New Miserable Experience - Gin Blossoms 1992
Deckard posted on 2018-06-26 09:19:02 Reply Private Reply
#41: Deckard To: sneakypete, Jameson (#23)
Took longer than usual for the thread to deteriorate into a "your music sucks" thread.
Deckard posted on 2018-06-26 09:21:51 Reply Private Reply
#42: Deckard To: Liberator (#3)
I agree with some aspects of your statement - however I don't believe that listenable rock music died in 1987. It was just moved to the back burner so to speak. Radio stations became more corporate controlled, many if not most of them got their playlists from central control and at that time a lot of stations were getting rid of local DJ's and relying on a more cookie cutter approach.
The good music has always been there - it just became more difficult to find stations that played it
...what Disco *did* do is prove to the corporate Music Industry and Record Producers that the quality musicianship and what makes "good music" was far less important than the packaging,
The "Disco Era" was a turning point in music, definitely a low point in musical history, but it did induce a backlash of sorts. The punk-rock scene developed at about that time - Sex Pistols, The Clash, Elvis Costello, The Jam - all of those bands and others created some great music in spite of disco being the dominant music genre at the time.
I think there will always be great, tuneful music, harmonies, melodies, musicians with great instrumental prowess and in a lot of ways there is even more than there has been in the past with the internet allowing any band to get their music out to the listeners, bypassing the control of record labels.
The downside is that there is so much music available now that it's sometimes difficult to find what you like.
HOW in the world did vulgar Ghetto Rap and female yodeling of "empowerment" whinefest anthems ever wind up the default "music" of pop culture for the last 25 years?
I read this article a number of years ago - it provides one theory as to why - take it with a grain of salt.
"The Secret Meeting that Changed Rap Music and Destroyed a Generation"
Interesting stuff.
HOW did Rap, wimpy male emo whining, and female yodeling and yapping EVER wind up displacing varied genres of pleasing music compositions, inspirational lyrics, swaying rhythms and sweet vocal and instrumental chords of the 50s-80s -- as well as its soulful, sunny harmonies?
My theory on that - especially the use of auto-tone to make the vocals on many songs sound robotic: The Transhumanist agenda
Transhumanism, a strange agglomeration of technology, politics, and even aspects of religion. The Transhumanist view of the future features a fully mechanized simulacrum of society teeming with visible and invisible robots and robotic functions that will engineer the minutia of life at every turn, presumably to make life easier and more fulfilling.
Deckard posted on 2018-06-26 10:22:04 Reply Private Reply
#43: Liberator To: Hank Rearden, Pinguinite, A K A Stone (#7)
You could be right. Ginger Baker has been a crazed, belligerent lunatic for 50 years.
"Beware of Mr. Baker" looks interesting. (Or depressing, depending on your mood.)
Trailer:
Check out this Rolling Stone story fr0m 2009 (a South Africanthe guy is STILL alive today somehow):
https://www.rollingstone.com/music/news/the-devil-and-ginger-baker-20090820
'The Devil and Ginger Baker'
Inside a gated compound in South Africa, one of rock's most legendary drummers is still making enemies
Excerpt:
Ginger Baker. He's been blessed than more than 99% of the population. Despite that the guy smoked like a chimney; Been a heroine addict for 50 years; Was reckless and rebellious and willfully disrespected his own body his entire life. Now it's all God's fault?
You wonder how the "Counselors" of the "Newton Model" would handle the case Ginger Baker. I'd imagine Baker's when his number was called, it would cause even that unlucky "team" to scatter ;-)
Liberator posted on 2018-06-26 13:21:03 Reply Private Reply
#44: Deckard To: Liberator, Hank Rearden, Pinguinite, A K A Stone (#43)
Pretty much describes every great drummer.
Deckard posted on 2018-06-26 13:25:23 Reply Private Reply
#45: Liberator To: no gnu taxes, Hank Rearden (#8)
I recall the anticipation of Boston's second album. Side One of the album was a good as anything on the debut Boston album.
Side 2 was a different story to me. It was turrible filler. Even Tom Scholtz conceded that knew it was pretty bad and was embarrassed by it. He felt rushed to submit the album to the record company before he was ready. Maybe if had had more time...
Liberator posted on 2018-06-26 13:27:31 Reply Private Reply
#46: Liberator To: Deckard (#44)
True to a large degree, ain't it?
On the otherhand Drummers seem to be either crazy OR the stabilizing factor.
Examples off the top of my head: Ringo, Charlie Watts, John Densmore (Doors).
Liberator posted on 2018-06-26 13:30:40 Reply Private Reply
#47: Liberator To: no gnu taxes (#13)
GREAT debut album by Meatloaf -- A definite Top Debut Album. Came out of the chute like absolute gangbusters. Like Boston, it seemed to be one of those albums that was its own genre. Arguably THE "Album of the Summer of 1978".
But yeah, "Two out of three ain't bad" was waaay overplayed, ruining it to a degree.
FWIW, the intro to 'Bat Out Of Hell' is a Top 3 Best intro to any song.
Liberator posted on 2018-06-26 13:36:02 Reply Private Reply
#48: Liberator To: Pinguinite (#14)
Glad I wasn't alone on that choice. Seemed like an obvious one...
Yup, Scholtz was an MIT engineer/nerd who did develop that totally unique guitar effect. I also appreciated that clean, note-holding tone.
Scholtz even marketed his electronic effect commercially as other bands also wound up usingit. He's *still* selling his doohickey for those who play electric guitar.
Liberator posted on 2018-06-26 13:41:08 Reply Private Reply
#49: Liberator To: Jameson (#15)
Everyone's ear is what it is, right?
THAT said:
5. Ramones - Ramones - Kicked the door down for a generation of punk rockers
Liberator posted on 2018-06-26 14:11:03 Reply Private Reply
#50: Liberator To: tpaine (#16)
Liberator posted on 2018-06-26 14:28:47 Reply Private Reply
#51: Liberator To: Pinguinite, no gnu taxes (#17)
Not only was he a nitpicking PITA, but pparently Scholtz was also an egomaniac with no sense of loyalty either (for all his brilliance.
That album cover of all the band members? Mostly a band-in-name and only show for the record company. Even though the band members were great musicians, Scholtz was greedy and didn't want to share the "glory".
Scholtz was said to have recorded that first album (as well as most instruments) all by himself in his basement. Brad Delp's vocals could NOT be duplicated of course.
Liberator posted on 2018-06-26 14:39:28 Reply Private Reply
#52: Liberator To: GrandIsland (#18)
Lol...that might have been the type of humor from my old gang once upon a time. Now even *I* know that was said in least HALF tongue-in-cheek.
When hanging out on the front porch we'd even get to the point where everyone's parents (no matter how nice they were) were targets of good-natured but biting derision. (I guess that's just NY/NJ/Philly-type humor.)
Liberator posted on 2018-06-26 14:48:06 Reply Private Reply