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U.S. Constitution Title: Hoplophobic Anti Gun Propaganda Being Re Shown On Encore Westerns Channel (The Truth about “The Dead Man’s Gun”) Hoplophobic Anti Gun Propaganda Being Re Shown On Encore Westerns Channel (The Truth about “The Dead Man’s Gun”) By Coral Snake It seems that a television program that is a piece of gun grabber propaganda his hit satalite and cable television again. This program is based on a common mental illness and phobic fear in holly-wierd, hoplophobia. For those who are not familiar with this term hoplophobia is a fear and or mental illness based belief on the part of some gun grabbers that weapons in general and firearms in particular are possessed with some kind of inherent evil that compels their owners to violence and eventually gets them killed, therefore firearms have to be grabbed and eliminated to eliminate this “spirit of violence” inherent in them. The reason I believe that hoplophobia has the potential for persecution and genocide is that these crimes can only be committed by a STATE against its own disarmed target populations and hoplophobia is often the mental sickness that is exploited to bring about that disarmament. There is currently a Western television show that originated on HBO but is being re shown on the Encore Westerns Channel on Saturday evenings that is anti gun propaganda using hoplophobia as a theme from beginning to end. (It also uses rear nudity and explicit sex to draw in the porno crowd.) This show is called The Dead Man’s Gun. There are several interesting themes that point to this show’s being explicit anti gun propaganda as well as explicit sex. The show is about a fancy engraved Smith & Wesson number 3 Schofield revolver that is a holophobe’s nightmare. This particular S & W Schofield seems to have a curse on it that makes the donkey curse on Pleasure Island in Pinocchio look like a Sunday School picnic. It compels anyone coming into possession of it to violence if they were not violent to begin with and always leads to their death if they cannot pass it on to some other sucker for its curse, this is the source of the name The Dead Man’s Gun and also the pure classic symptoms of the gun grabber hoplophobia laced with “soft core” porn being presented as “entertainment” in this constitutional treason. The first interesting detail of this show is the firearm being used as the dead man’s gun. It is a replica of the Smith & Wesson number 3 Schofield Revolver produced by the Italian historic firearm’s reproducer Roberti. The S & W Schofield also happens to be the most advanced sidearm of the 1870s, the period within the western era in which this show apparently takes place. This makes the S & W Schofield an 1870s equivalent of the pseudo AKs and “black rifles” that the gun grabbers currently want to ban. Anyone care to speculate on why the choice of this firearm for this weekly hoplophobic gun grabber propaganda presentation???!!!! A second interesting detail of this show is the person and corporation responsible to bringing it to fruition. The person responsible for bringing this constitutional treason to air is former actor Henry Winkler. Most of you reading this probably know that Winkler was the actor who played Fonzie or “Da FONZ” on the Happy Days sit com in the 1970s. What you may not know is that he is also one of the leading gun grabbers in holly-weird. Henry Winkler has a long record with the NRA as having contributed to organizations seeking to ban handguns going back to his “Da FONZ” days and was also responsible for at least one other show with a subliminal “gun control” theme like The Dead Man’s Gun. This was Mc Gyver, a popular spy oriented show in the 1980s. Mc Gyver’s hatred for guns began in a way startlingly similar to the curse of the dead man’s gun. (An attempt to kill a bird with a Nagant “gas seal” revolver on the part of one of his friends in youth was stopped with an accidental discharge of the weapon that killed the friend when Mc Gyver as a youth tried to prevent the bird’s killing. Mc Gyver hoplophobically blamed the firearm rather than himself and his late friend for the death and did so with ALL firearms ever since.) Notice the similarity between this Nagant revolver and the dead man’s gun. The weapon by its very existence “compelled” Mc Gyver’s friend to violence (killing the bird) and caused his death “by itself” when his act of violence was stopped. That the act of violence was already within the boy himself and that he would have probably tried to kill the bird with a thrown rock if he did not have the revolver was not even considered. The GUN compelled the ACT and then killed the would be bird killer by its very existence, pure hoplophobia. The corporation responsible for The Dead Man’s Gun is Touchstone Pictures, at the time of the show’s production a “false flag” label for the Walt Disney Corporation. Walt himself was probably not anti gun even though one of his animated movies, Bambi is frequently cited as anti hunting because of the death of Bambi’s mother. However many of his “dog story” and western themed live action movies depicted legitimate hunting and defensive use of firearms. Defensive use of a firearm was even depicted in the animated Disney classic Pinnochio when the woodcutter Geppetto took a percussion lock blunderbuss handgun in hand in response to Pinnochio’s first stirrings to life seeing the resulting noises as those of an intruder (This too ended in an accidental discharge but with no loss of life involved because the gun was pointed toward the roof, one of the two universal safe directions for pointing gun muzzles). However after Walt Disney’s death the company came under the influence of “Progressive” Michael Eisner. This is when the Disney Corporation started picking up its bad reputation for exploiting slave laborers in third world countries, violating constitutional copyright by lobbying for virtually infinite extensions in congress and producing soft core porn under “false flag” labels like Touchstone Pictures often using pedophiles, hard core “progressive” leftists and gun grabbers like Henry Winkler as executive producers. I know some people where I post this are going to consider only the Jewishness of Michael Eisner when reading this. However not all “Progressives” belong to “the tribe” and I believe an all Jewish conspiracy worldview misses the bigger picture. What we call the NWO in fact can be traced to a certain time and in my research I found that time to be around 1888 and not all the much earlier times usually depicted in Anti Jewish, Anti Catholic or Anti Masonic conspiracy literature (My later research when I wasn‘t actively posting is largely the reason I dropped my own Anti Catholic NWO theories). The NWO as we know it today began with an early science fiction novel by a Fundie Christian/Dominionist/Socialist author by the name of Edward Bellamy titled Looking Backward in 1888. Bellamy’s novel depicted Socialism as coming into being by an eventual merger of the big Corporations or “trusts” of the late 1880s with the government in order to produce a Military Totalitarian Socialist state without a Marxist violent revolution. This merger of the Corporation with the State to produce the Totalitarian State was depicted as fully complete in the year 2000 in Bellamy’s novel. Bellamy’s novel popularized a brand of Socialism originally called Nationalism in the various Nationalist and Bellamy clubs that sprang up in the wake of his novel‘s publication, that would soon be called “Progressivism” in America and Fascism/Nazism in Europe. Because this form of Socialism was not aimed at destroying the Corporation like Marxism was it actually became popular with the super rich as well as the misguided amongst the middle class and the poor that made up the American Nationalist clubs. Now to get back to the subject at hand one of these super rich corporations that would become attracted to the American “Progressive” branch of Bellamy style Socialism would be Michael Eisner’s reboot of the Disney Corporation and from that Touchstone Pictures, the studio through which sick in the noodle hoplophobe Henry Winkler produced The Dead Man’s Gun. This is another example that you must be very careful of what you are watching on television. Westerns have always been a safe haven of rugged individualism and pro gun storytelling in the Statist soup of modern “entertainment” with The Dead Man’s Gun and its sick in the noodle hoplophobia aimed at brainwashing people back into the idea of a Statist ban on guns because of their inherent “evil” this no longer seems true anymore.
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#1. To: Coral Snake (#0)
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