Rick Beato's intricate breakdowns of songs, music, and techniques is pretty cool.
Boston's first album (1976) in my opinion is a Top 10 of all time. Still nothing sounds like it, never has since. Boston was its own genre. Summer of '77.
Second album (1978) was good as well. I remember the anticipation of this second Boston album, buying it immediately.
That was pretty much the end of Boston (aside from the single, Amanda), on their third album ten years later in 1986.
Very interesting. This has always been one of my favorites, though I've played it so much I've kind of largely removed it from my usual listening.
Hear ya on that and agree; 'More Than A Feeling' was great; It made me buy that album. But yes, it WAS played to death so much that I also mentally dismissed it. (I chose this particular Rick Beato breakdown of it and song because I knew many of us liked it at the time.)
Side A of Boston's first 2 albums were all great, though the side B music never rose to that standard. I guess from this guy's breakdown of MTAF, it's apparent that the reason might have been for lack of ability to pour the same amount of effort into the side B songs.
Interesting take...
With respect to Boston's debut album, the only song not written by Scholtz was, 'Let Me Take You Home Tonight'. It was the one song I thought was just average. Otherwise I thought the rest of Side B and all of Side A were shockingly excellent.
Now if you're also referring to Side B of the 'Don't Look Back' album, I absolutely agree! So you noticed as well? (Only 'Feeling Satisfied' met the standard of excellence as heard on Side A, and the debut album material.)
Even Tom Scholtz thought his Side B of Don't Look Back was weak. According to him the record company rushed him. That would explain why that efforts wasn't as good as the debut album.
Sadly, it seems Boston is just an alias for Tom Scholz, and though he's made additional albums beyond the first 2, it seems none of them have been able to continue the success. I've wondered if those other original band-mates deserved more credit for the original successes than they ended up getting in court.
I followed that a bit as well...
Yup Boston = Scholtz basically, right?
Apparently Scholtz didn't even need a band -- he covered the bass on that debut album, guitars, and even keyboards. He was maybe the first to be a "virtual" band thank to his MIT skills.
A drummer (NOT the "band" drummer) and Brad Delp's vocals were all he needed for that debut album. LIVE performance was of course a different story. And then again -- back then record companies thought it was weird not to have a "Band".
So...to your question about "credit"...the other guitarist who wrote, 'Let Me Take You Home Tonight' deserves some. Other than that? maybe a sliver of credit?
I seem to recall Scholz being accused of his perfectionism driving others crazy, and then him filing a lawsuit for defamation over what someone close to Brad said publicly after Brad's death, ascribing some aspect of Scholz's personality to the tragady. That pretty much told me the accusations were true.
I'd heard/read some of that as well; That Scholtz bullied Brad a bit. Regarding Brad Delp's suicide, it was said to occurred over guilt of taping his GF's sister without her knowledge...and getting busted. (Who knows?)
How did this guy get the full audio on this sound broken down into separate tracks?
Is that something he bought or is it possible for them to be digitally extracted from the publicly available version? The latter would be quite extraordinary, but digital tech has progressed a lot.
Yeah, the way or manner Beato was able to extract and isolated tracks was amazing. He does that on all his song/parts breakdowns.
My son had at one time access to a site where hundreds of songs had extracted then isolated tracks -- some more than others. But on Beato's isolations they are really clean, there's not much bleed-through of other instrumentation.
The site my son extracted his isolated tracks or a bunch of 70s-80s songs no longer exists or else I'd get you the link.
Could be some software that can do the same thing...(we would think by now.) I've noticed a lotta karaoke uses the extracted/iso to eliminate the vocals.
The song begins with a voice that says ""Gunter Glieben Glauten Globen". What does that mean? The answer is it doesn't mean anything. Producer Mutt Lange got tired of counting the band in with "1, 2, 3, 4...," so he started saying this.The boys liked it so they put it in the song. It means so much, it means nothing.
Interesting back story...
THAT is the reason? Mutt Lange??
Great producer...the guy was known as a perfectionist. This intro was just dumb. I didn't listen to this tune for the longest time because of the dopey intro. (so it DID "mean" something after all.)
I hate to burst your bubble, but...do you know anything about symbolism? OR, Ozzy's affectionate lyrics and ode to THE one and only, 'Mr Crowley'? (do you know who HE was?) I'm only the messenger.
Seems Boston is in "Jesus is Saviour's" Hall of Shame. Right from your own site you referenc.
Boston: promotes fornication, wild immoral parties, drug abuse, indifference, smoking pot, lead singer commit suicide in March 2007 (left a suicide note saying, "I am a lonely soul")
Now if you're also referring to Side B of the 'Don't Look Back' album, I absolutely agree! So you noticed as well? (Only 'Feeling Satisfied' met the standard of excellence as heard on Side A, and the debut album material.)
I'll have to listen to them again, now knowing a bit more of the background of MTAF. My feelings on them certainly won't change but I could better quantify my impression.
Apparently Scholtz didn't even need a band -- he covered the bass on that debut album, guitars, and even keyboards. He was maybe the first to be a "virtual" band thank to his MIT skills.
I read somewhere the conundrum he was in, having made great rock music songs in his basement but with no ability to put on a concert and no real bandmates. In that light, the backside description on the LP cover on that debut album is an interesting spin, so to speak, as it's a pitch to ignore the band history and "listen to the album".
Seems Boston is in "Jesus is Saviour's" Hall of Shame. Right from your own site you referenc.
Boston: promotes fornication, wild immoral parties, drug abuse, indifference, smoking pot, lead singer commit suicide in March 2007 (left a suicide note saying, "I am a lonely soul")
I'm glad you paid attention and looked the site over and found some truth.
However IF we are going to measure the relative "shame" between Boston's rock lyrics and Ozzy's, Boston's lyrics do not promote a blatant brand of evil and depression, the worship of Satan, or promoting suicide like Black Sabbath (Ozzy was sued FOR causing actual suicides, wasn't he?)
If you want to compare and parse the actual music, everyone identifies most of Ozzy's musical compositions and themes as darkening the soul and purposely casting demonic palls upon the spirit. He's a creepy magician casting spells over teens.
Boston's music? Not so much. In fact, not at all. Their music, chords and melodies are upbeat and harmonious. It mostly celebrates the spirit and life.
So...does it bother you that Ozzy and Black Sabbath (by their very band name) routinely mock the Holy Spirit and Jesus Christ in their music, by appearance? They don't even hide it.
between Boston's rock lyrics and Ozzy's, Boston's lyrics do not promote a blatant brand of evil and depression, the worship of Satan, or promoting suicide like Black Sabbath (Ozzy was sued FOR causing actual suicides, wasn't he?)
You are making stuff up. You ask so here are some Ozzy Black Sabbath lyrics.
"After Forever"
Have you ever thought about your soul - can it be saved? Or perhaps you think that when you're dead you just stay in your grave Is God just a thought within your head or is he a part of you? Is Christ just a name that you read in a book when you were in school?
When you think about death do you lose your breath or do you keep your cool? Would you like to see the Pope on the end of a rope - do you think he's a fool? Well I have seen the truth, yes I've seen the light and I've changed my ways And I'll be prepared when you're lonely and scared at the end of our days
Could it be you're afraid of what your friends might say If they knew you believe in God above? They should realize before they criticize that God is the only way to love
Is your mind so small that you have to fall In with the pack wherever they run Will you still sneer when death is near And say they may as well worship the sun?
I think it was true it was people like you that crucified Christ I think it is sad the opinion you had was the only one voiced Will you be so sure when your day is near, say you don't believe? You had the chance but you turned it down, now you can't retrieve
Perhaps you'll think before you say that God is dead and gone Open your eyes, just realize that he's the one The only one who can save you now from all this sin and hate Or will you still jeer at all you hear? Yes! I think it's too late.
So...does it bother you that Ozzy and Black Sabbath (by their very band name) routinely mock the Holy Spirit and Jesus Christ in their music, by appearance? They don't even hide it.
You mean this founder of Black Sabbath Tony Iommi. You're an idiot.
Believe what you want. Ignore what you want. You have free will.
Who is the one ignoring. You are. Here is another founding member.
In a brand new interview with The Weeklings, BLACK SABBATH bassist Geezer Butler was asked if he got any backlash over SABBATH singing a message of repentance and God being the only way to love on the "Master Of Reality" album.
"No," he responded. "People always like to find the 'evil' in the music, so they'd quote the 'pope on a rope' part out of context, as usual. People like to find negative in everything. We weren't interested in writing songs about the 'nice' things in the world; everyone else was writing about that. We wanted to inject some reality into music. I think if we'd been called WHITE SUNDAY we'd have had a totally different reaction.
Butler also talked about his thought process behind writing the lyrics to the SABBATH song "After Forever", which some historians have called the first real Christian rock song.
"A lot of it was because of the situation in Northern Ireland at the time," he explained. "There were a lot of religious troubles between the Protestants against the Catholics.
I'll have to listen to them again, now knowing a bit more of the background of MTAF. My feelings on them certainly won't change but I could better quantify my impression.
Your feelings or ear or impression could certainly change now that your senses are 40 years older. You focus on different things for some reason (maybe its me.)
I can't tell you how many songs I've taken a different listen to and appreciate far more now then then. (Not to mention the volume of good songs and music that fell between the cracks, never even heard. Wasn't it almost impossible to hear everything back in the late 60s, 70s-80s?)
For 41 years, I'd dismissed Boston's 'Feelin Satisfied' (second album, Side B track)...until I heard a cover band do it and heard the rest of song beyond the first over-used opening riffs. Love it. Took 41 years to appreciate it.
I read somewhere the conundrum he was in, having made great rock music songs in his basement but with no ability to put on a concert and no real bandmates. In that light, the backside description on the LP cover on that debut album is an interesting spin, so to speak, as it's a pitch to ignore the band history and "listen to the album".
Read the same. Ain't that something? Could be why once Scholtz made it with that smash first effort, he got a bit greedy. The "Band" afterall (aside from Brad Delp) was only image and for live shows on the road.
Good observation about that back side and what was basically a PR notation.
With the release of their first album, the bands audience began to grow rapidly. Terrence became known as Geezer while the rest of the band became known for their dark music. One night, Ozzy and the band were approached by a self-proclaimed witch and were asked to play at a satanic ceremony. The band declined the offer. Feeling deprived at this, the witch cast a spell on the band. Being paranoid, Ozzy asked his dad to make aluminum crosses for each member of the band to wear as protection. Bill Ward said that he is the only member who still has the original cross. The cross Ozzy wears now is made of 14 carat gold.
These guys can't cover up this mess with "This is the troof, those "satanist" stories are lies and just crazy BS!" stories.
And most certainly, neither can Ozzy hide the truth. Dude, the guy is a satanist and occultist, into magic and spell. Look at the symbols and upside down crosses; The Baphomet horns.
He loved Satanist Alistair Crowley so much, he devoted an entire song to him. To be so in denial and delusional about the truth is insane.
I can't tell you how many songs I've taken a different listen to and appreciate far more now then then. (Not to mention the volume of good songs and music that fell between the cracks, never even heard. Wasn't it almost impossible to hear everything back in the late 60s, 70s-80s?)
No, one thing I've noticed about myself is that my opinion of a particular song never changes. Songs I liked and disliked as a teen I still like and dislike today. I like to think it speaks well about my musical maturity as a teen.
I'm a big fan now of epic music which didn't exist back then, except perhaps as a foreshadowing in the music of Mason William's "Classical Gas", or Ennio Morricone's famous tune from The Good, the Bad and the Ugly.
If you want a real ride, check this out. Two Steps from Hell. I've mentioned Thomas Bergerson to you before. Here's "Victory". Just know that if it's the first time you've heard it and you don't have your stereo totally cranked, it's a crime against humanity. Just so you know.
So, basically not any different than any other rock band?
...lead singer commit suicide in March 2007...
So? How is that the band's fault?
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
Believe what you want. Ignore what you want. You have free will.
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
Butler also talked about his thought process behind writing the lyrics to the SABBATH song "After Forever", which some historians have called the first real Christian rock song.
Not even close.
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
I'm a big fan now of epic music which didn't exist back then, except perhaps as a foreshadowing in the music of Mason William's "Classical Gas",
I always liked that song.
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
I just used the same source liberator used to condemn Oozy. Showing him to be a hypocrite.
So...that source is wrong about Ozzy but right about Boston?
I don't think Liberator is the hypocrite here.
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
Stone, you really need to stop antagonizing allies like Liberator and me.
Just let it go - pretty much every rock band is un-Christian when you actually look.
Let's not go to a holy war over this.
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
Liberator isn't my ally. He is a kook who thinks the earth is flat.
So what? I'm a kook for not believing the official 9/11 story and believing Oswald didn't act alone.
I think David Icke is correct on a number of things.
You're a "kook" too.
As far as the flat earth theory - again, so what? Who cares?
Government is in the last resort the employment of armed men, of policemen, gendarmes, soldiers, prison guards, and hangmen. The essential feature of government is the enforcement of its decrees by beating, killing, and imprisoning. Those who are asking for more government interference are asking ultimately for more compulsion and less freedom.
Could be why once Scholtz made it with that smash first effort, he got a bit greedy. The "Band" afterall (aside from Brad Delp) was only image and for live shows on the road.
I'd bet that extreme perfectionists wouldn't have the patience to put up with real, human band members.
I'm a big fan now of epic music which didn't exist back then, except perhaps as a foreshadowing in the music of Mason William's "Classical Gas", or Ennio Morricone's famous tune from The Good, the Bad and the Ugly.
See? Your ear IS changing! (Or maybe how you process music. It's happened to me as well. Normal stuff.
The 'Victory' epic music is strongly reminiscent of 'The Good, Bad and Ugly'. Love that stuff.
Just know that if it's the first time you've heard it and you don't have your stereo totally cranked, it's a crime against humanity. Just so you know.