Rick Beato's intricate breakdowns of songs, music, and techniques is pretty cool.
Boston's first album (1976) in my opinion is a Top 10 of all time. Still nothing sounds like it, never has since. Boston was its own genre. Summer of '77.
Second album (1978) was good as well. I remember the anticipation of this second Boston album, buying it immediately.
That was pretty much the end of Boston (aside from the single, Amanda), on their third album ten years later in 1986.
Very interesting. This has always been one of my favorites, though I've played it so much I've kind of largely removed it from my usual listening.
Side A of Boston's first 2 albums were all great, though the side B music never rose to that standard. I guess from this guy's breakdown of MTAF, it's apparent that the reason might have been for lack of ability to pour the same amount of effort into the side B songs.
Sadly, it seems Boston is just an alias for Tom Scholz, and though he's made additional albums beyond the first 2, it seems none of them have been able to continue the success. I've wondered if those other original band-mates deserved more credit for the original successes than they ended up getting in court.
I seem to recall Scholz being accused of his perfectionism driving others crazy, and then him filing a lawsuit for defamation over what someone close to Brad said publicly after Brad's death, ascribing some aspect of Scholz's personality to the tragady. That pretty much told me the accusations were true.
Sadly, it seems Boston is just an alias for Tom Scholz, and though he's made additional albums beyond the first 2, it seems none of them have been able to continue the success. I've wondered if those other original band-mates deserved more credit for the original successes than they ended up getting in court.
I followed that a bit as well...
Yup Boston = Scholtz basically, right?
Apparently Scholtz didn't even need a band -- he covered the bass on that debut album, guitars, and even keyboards. He was maybe the first to be a "virtual" band thank to his MIT skills.
A drummer (NOT the "band" drummer) and Brad Delp's vocals were all he needed for that debut album. LIVE performance was of course a different story. And then again -- back then record companies thought it was weird not to have a "Band".
So...to your question about "credit"...the other guitarist who wrote, 'Let Me Take You Home Tonight' deserves some. Other than that? maybe a sliver of credit?
I seem to recall Scholz being accused of his perfectionism driving others crazy, and then him filing a lawsuit for defamation over what someone close to Brad said publicly after Brad's death, ascribing some aspect of Scholz's personality to the tragady. That pretty much told me the accusations were true.
I'd heard/read some of that as well; That Scholtz bullied Brad a bit. Regarding Brad Delp's suicide, it was said to occurred over guilt of taping his GF's sister without her knowledge...and getting busted. (Who knows?)
Apparently Scholtz didn't even need a band -- he covered the bass on that debut album, guitars, and even keyboards. He was maybe the first to be a "virtual" band thank to his MIT skills.
I read somewhere the conundrum he was in, having made great rock music songs in his basement but with no ability to put on a concert and no real bandmates. In that light, the backside description on the LP cover on that debut album is an interesting spin, so to speak, as it's a pitch to ignore the band history and "listen to the album".
