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United States News Title: I am a racist. CWNY has taught me that there is dignity in racism. I am a racist. Below are selected quotes from this elegaic article: http://cambriawillnotyield.blogspot.com/2010/11/light-of-europe.html -------- In the case of the white man who believes his race is superior to the colored races, we witness a man who respects humanity enough to make distinctions of value between peoples and cultures. What could be more Christian? And in the case of the white man who prefers his own because they are his own, we have a man who knows that the love of God is closely allied to the love of hearth. Again, what could be more Christian? Yes, He did tell us to spread the Gospel. But can the Gospel be spread by Babylonians? If Europeans do not remain distinctly white and distinctly Christian, how can they spread the Gospel? The blacks who actually became Christians did so because they saw white people acting as Christians within a distinctly white, segregated culture. The pre-Civil War Southern whites evangelized by keeping their churches separate from the black churches. They knew that the black churches would never be without a barbaric African taint, and without a counterbalance in the white churches the African influence would completely eradicate the Christian influence. Is it Christian, is it charitable, to paganize Christianity in order to buttress up the numbers of your flagging denomination? The halfway-house Christian wants to be in step with the secular world, and in the secular world decent white people worship Negroes and despise all non-liberal Europeans, living and dead. ` It is supposed to be bad to hate, but that is just liberal and halfway-house Christian doublespeak. When the halfway-house Christians say the ‘old school’ Europeans are great 'haters' they mean to say that white Europeans love their own people. And when they say they love their black brothers, they mean that they hate whites with all their heart and soul and love the false image of the black man they have created in their own minds. But it is only an image that halfway-house Christians love; they are incapable of loving one particular people, one particular individual human being, and one particular God. ` Neither the liberal nor the halfway-house Christian debate with the antique European. They simply anathematize: “You are a white supremacist -- I damn you.” ` Pope John XXIII spoke for all halfway-house Christians when he forgave the torture murder, by blacks, of his own people, and he implicitly, by his “loving forgiveness,” encouraged blacks to continue their outrages and whites to remain passive in the face of black barbarism. The good darkies in the Thomas Nelson Page novels are good because whites punish them when they do evil. That is true Christian charity. Isn’t this new found concern for the darky among “Christians” simply a shirking of the white man’s burden? In a marvelous short story called “The Old Planters,” Thomas Nelson Page depicts an old Southern colonel who goes unarmed against a crazed Negro with a revolver. He feels it is his responsibility to do so because the crazed black is the son of one of his servants. The halfway-house Christian can call such parentalism ‘white supremacy’ from now till doomsday, but I’ll always call it by its true name: Christian. ` Liberals do not see the need to be charitable to men who are sinners like themselves because they do not see themselves as sinners. There is only one sin in the liberal’s catechism and that sin is racism, of which he, the liberal, is free. Since he is sinless, the liberal can hurl stones at the sinful white supremacist. ` In 1980 the Royal Shakespeare Company staged a nine-hour adaptation of Charles Dickens’ novel Nicholas Nickleby. The play featured 42 actors playing 250 roles. The play, which was made available on tape a few years after its opening in London, never deviates from the text of the book. We get to see flesh and blood descendants of the 19th century British acting out the thoughts and feelings of the 19th century British. I have no doubt that the actors are as far removed spiritually from their 19th century countrymen as Hamlet’s uncle was removed from Hamlet’s father, but because they were trained in the Shakespearean theater and because they were of the same blood as the 19th century British, the actors and actresses were able to recreate, on stage, a world where Christianity mattered. Every time I view the play, I feel transported to a different plane of existence, a world where the light shineth in darkness. ` I feel like the stammering Billy Budd whenever I attempt to write, but never more so then when I attempt to write about His Europe. ` To suggest that the textbook wisdom of academics and clerics can be put in a silver rod, exported to the colored races, and then serve as a replacement for the blood faith of the antique Europeans, is a blasphemy of tidal wave proportions. ` Europe is our home, it provides all the warmth and light we will ever need in this world and the world to come. If other people want to use the warmth that comes from our hearth and the light that emanates from our home to heat and light their hearths and homes, they are welcome. But we will not put out our hearth fires and extinguish the European light in order to worship in the dark by a hearth that provides no warmth. Let it never be said that Europe cannot produce at least a remnant band of men who comprehend that the light of Europe is the Light of the World.
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#1. To: continental op (#0)
Thanks for proving my point. No need to read further.
I didn't write this piece, you gelded retard.
#3. To: continental op (#2)
Yes, that's obvious. After all, the article has *some* coherence, which PROVES you didn't write it. As to being "gelded" or a retard, if I *was,* everyone would think I'm YOU.
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